Thursday, January 12, 2012
Rise Of Totalitarian Governments
Politics Through film essay, Dr Strangelove and Nuclear War
A.E. Politics through Film. 2/22/2011
Hollywood loves war. It’s been a recurrent theme in the film industry for the since the first films came out during WWI. The success of the war movie is no surprise as Ernest Giglio points out in his book, Here’s Looking At You, because it “fulfills the audience’s heroic fantasies while celebrating patriotism” He goes on to say that “it explores the dualities of the human condition; individual decency and courage versus brutality of the enemy; individual loyalty and duty versus self-interest and survival; and self-sacrifice versus the collective good.” These topics are readily seen in traditional war movies where a mission has to be accomplished by a band of soldiers the audience can easily relate to and watch as they sacrifice themselves to save others. Nuclear war movies are not always clear-cut like that. These films deal with non-conventional weapons whose power to destroy is almost God-like, which inspires awe, fear and demands an incredible amount of responsibility from those few in charge of their use. Tensions in a nuclear war film are built out of the unknown fear as the world teeters on the edge of obliteration.
Some of the most awarded films in history have been about war. From the 1939 film Gone with the Wind, to the 2008 film The Hurt Locker, the story of war and the struggle by those involved has captivated audiences. War is a time of extremes, when raw human emotion and nature come to the surface to reveal something true about all people. Sometimes these truths are the romanticized versions of self-sacrifice and honor, and at other times it’s the truth that all people are brutish, savage animals that can do unspeakable things in the name of a made-up concept like territory or government. Hollywood tries to show the duality of human nature in these cases but tends to portray Americans as the more noble people who overcome evil in the name of good.
WWII is the most romanticized of the American wars, mainly due to the fact that during the war the OWI was very influential in making propaganda films that sought to inspire and garner support for the troops. The war was seen as a good war because the Allies were fighting to stop the totalitarian Nazi regime from taking over the world and subjugating millions of people, a noble cause that is easily supportable. Hollywood has done its part to memorialize the war with films like Patton; Battle of the Bulge, and Saving Private Ryan, each film glorified the actions of American soldiers in battle as they overcame the evil Nazi forces. The financial success of WWII films in the few years after the war solidified the genre as a dependable mold.
The messages behind these movies spoke to the audience in a way that inspired them to support the government in times of need when there was something greater at work than their own lives. This is reflected in the movie Casablanca where the love that Humphrey Bogart has for Ingrid Bergman is put aside so that the head of the Resistance can escape and continue the “Good Fight”. This form of sacrificing one’s own life for the collective good is constantly reiterated throughout most war movies, but not most nuclear war movies.
Since the end of the Second World War there has been a leveling force in the realm of warfare that Hollywood has used extensively. Nuclear war is a whole different kind of game. In nuclear war there are no large armies facing off with each other, down in the trenches. Instead these wars are fought in the offices and war rooms of country leaders, like in the movie Dr. Strangelove. Here the tone was set by the looming threat of total annihilation because of a mechanical malfunction.
There are five categories of nuclear film that Ernest Giglio describes and they are the following: science fiction/horror film, nuclear war/attack, nuclear accident/ disaster, nuclear survival, nuclear terrorist films. Each film deals with the extreme cost of nuclear war in its own way but a main theme throughout all of them is the idea that man has created a great and terrible technology that changes the landscape of war forever. In the 1964 black comedy film Dr. Strangelove, Kubrick has shown how ridiculous the nuclear scare was during the Cold War. It also shows how technological advances can also be our downfall when they are trusted too much.
These types of accident/ technological breakdown films have a lot to do with the fact that man has come to rely on our own inventions too much, and often we are hoisted with our own petards. Great men of science gave the world this knowledge, but its creation was befouled by its own existence. Hollywood has made many movies in which the unintended consequences of atomic use are disastrous and in most cases, monstrous. From the 1955 film, Tarantula to the 2008 Incredible Hulk, experiments gone wrong serve to teach man one thing, he is not ready or responsible enough to control this amount of power.
This is a far cry from traditional war movies in which the power comes from the men themselves, the sheer cooperative force of destruction that is one army bent on killing another is also awe-inspiring. This can be seen in movies like Saving Private Ryan, where the 30 minute opening sequence of the Normandy Invasion shows the audience the terror of war up close, where thousands of men sacrifice themselves for a few miles of beach. It’s easier for the audience to put themselves in the boots of those men and imagine what it was like to fight that day than it is for them to imagine the blinding light of a nuclear blast.
Another way traditional war movies differ from their nuclear war counterparts is the way they have been used in history. During WWII Hollywood was very involved in the war effort by making hundreds of movies for the US government and for the American people so that they can relax after a hard week of working in the factories. This was a country united and Hollywood put out propaganda films along with inspiring films to keep the country united, or just to profit on the extreme amount of patriotism and a little bit of racism. The Battle of Midway was shot on the decks of the ships involved and was some of the best war footage ever shot, and it occurred at a key time when the US Navy started to turn the tide of battle in the Pacific. At this time the films started to change from being inspiring underdog stories of perseverance to glory-filled films of conquering the Japanese and winning the war.
Nuclear war movies don’t come with this same sense of inspiring virtue. In most cases they are cautionary tales with the threat of doom always apparent. There can’t be movies made in which the use of nuclear weapons is an honorable action it is always something that must be avoided at all costs. This is where the brave characters are those who are able to convince the politicians not to use the bomb, as was the case in the Michael Bay film, The Sum of All Fears, where Ben Affleck’s character is able to convince the Russian president to stand down and avoid total thermonuclear war after a terrorist group detonated a device in a football stadium.
The glory days of Hollywood nuclear war movies seem to be in the past, along with the cold war, but it may in fact turn out that these movies are more relevant in today’s world filled with terrorist groups, unstable third world countries acquiring the technology and a crumbling Soviet Union defense system. The ironic part is that traditional war movies are almost extinct do to the fact that America has been engaged in Afghanistan and Iraq for the last decade trying to win the hearts and minds of the people instead of trying to take a position. The modern war story is that of the struggle of individuals dealing with extraordinary circumstances where there is no clear-cut enemy and the reasons behind the fighting are vague and/or controversial. If this is the case than the intangible fear of the unknown is much more in line with a nuclear war film for the future, where decisions are made by rash men and women in high government that the country is trusting less and less. Hopefully in the end these new films will do for the modern country what they did for it in the forties, unify it in belief that there is something greater than the individual, but that it is each individual life, instead of the government’s sovereignty.
Nature Valley Commercial/Food Inc essay
Commercials serve one purpose in today’s world, and that is to sell something to a target audience. Corporations spend millions of dollars trying to craft the perfect ad that will stick in the consumer’s head and maybe persuade them enough to buy the product. That product can be anything; it doesn’t even have to be consumer goods, ideologies and agendas are sold just the same way through a visual argument presented to every eyeball glued to the T.V screen. The same can be said for General Mill’s ad promoting Nature Valley Oats N’ Honey granola bars. A fairly short ad that doesn’t scream, “Buy our product!” but is effective in its use of location, actress and music. The subtle nuances of these elements are what make it a compelling visual argument without giving the viewer any information about the product itself. The question that needs to be asked is how honest is this advertisement about its product and the company that manufactures it, and what were the driving forces behind making an ad such as this.
The commercial starts out with a shot of a beautiful blond haired woman looking at the perfectly opened Nature Valley Bar with a contented smile on her face, wind gently blowing her hair and she takes a small bite, smiling while she chews. The golden sun shining on her perfect skin is the pinnacle of health, she is almost radiating health as she enjoys a “100% Natural” Oats N’ Honey bar. The camera then circles her face to show the evergreen trees and rugged mountains behind her as it finally gets over her shoulder and pulls back to show the beautiful Montana mountain range she’s gazing upon. As the camera pulls out further it the scene is shown to be imbedded in a granola bar that is drawing its ingredients together and finally is wrapped up in its iconic green wrapper as the words “The energy bar nature intended” scrolls along the bottom. This quick and effective visual display of natural beauty was coupled with the soothing narration of a woman’s voice and the repeating electric guitar chords from the song Live Spark by Andrew Britton that gives the sense of accomplishment or possibly emphasizes the sex appeal of the model in the scene.
The main point of this ad is that eating a Nature Valley bar brings you closer to nature, because it uses 100% natural ingredients and that it’s a healthy choice. They are trying to appeal to the 20-30 something year olds who enjoy the outdoors or those who wish they could. By using the beautiful blonde model Nina Bergman they are trying to show that you can be as beautiful and healthy as she is by eating the bars. That is another point of disingenuousness, there is no possible way that a nature valley bar can be eaten as portrayed, it would crumble and crunch, require a good deal of jaw movement and not many people can chew a crunchy brick-like bar such as these with a Mona Lisa smile on their face the entire time.
The nutritional value of the bar is clearly implied by the actress used, but the overall feeling of consuming a Nature Valley bar is given by the location used and words said by the narrator. Nature Valley has undergone a shift in its ad campaign. It is now marketed as the natural energy bar to be enjoyed while hiking mountains, biking through forests ect. By show the majestic mountains of Montana they are appealing to the aspirations of a generation of independent and environmentally conscious Americans. There is no logic or real reasoning behind the idea that Nature valley bars bring you closer to nature, only the ambiguous title of being “100% Natural” and the marriage between the images of nature and eating the granola bar. It is this vague sense of organic-ness that sells the bar. There are many granola bars on the market, all with varying levels of industrial production involved, but the name Nature Valley is clearly trying very hard to appear to be the most nutritional and environmental conscious choice. How natural or nutritious these bars are is the real question that should be going through the minds of anyone viewing this commercial.
As to whether or not these granola bars are bad for the consumer is fairly subjective, it depends on how thorough they want to be about all the ingredients and manufacturing processes that are involved with the bar. Compared to a regular candy bar, the Nature Valley bar is a healthy choice, with only 190 calories per package, but most consumers will be sitting around, not hiking the mountains, while eating the bars. Therefore its misleading to market these as health bars, as respites from the modern office grind as they do in other commercials, for any extra calories while being sedentary will lead to weight gain. It does not matter whether or not these are “100% Natural” calories or artificial calories, the body doesn’t know the difference. There is a difference in the terms however, a very subtle but important difference.
As Monica Eng outlined in her article for the Chicago Tribune entitled, “Organic vs. Natural a source of confusion in food labeling”, the use of the term Natural to describe a food product is directly related to the company’s desire to cash in on the growth of the Organic market while simultaneously offering a slightly cheaper version that seems the same. In her article she describes the actions of dairy company Dean Farms, which chose to roll out a new line of “Natural” yogurt. The reason that this action is seen as regressive is because the company previously had a line of organic products but the Natural brand name was a cheaper solution that would bring in more profits while devaluing the farmers that have to struggle with all the FDA regulations concerning the label of Organic.
The owner and distributer of Nature Valley is of course General Mills, the sixth largest food company in the world which markets the bars as a better-for-you snack and as such has seen their sales of said bars increase by 15 percent in 2010. This is representative of the whole foods and whole grain health fad that has gripped the Baby Boomers and Millennial’s. Nature Valley Bars have been marketed as the healthier choice for people who want to be active since its inception, but it has really found a niche now that the organic market has increased to $46 billion by 2007, when this Nature Valley commercial came out. The term natural is largely defined by the producer themselves and not by the FDA. So the sources that the ingredients are derived from may be “natural” but their production still involved the use of tons of pesticides, herbicides, possibly GMO crops and other non-organic products.
Willer, Helga; Kilcher, Lukas (2009). the organic world homepage "The World of Organic Agriculture. Statistics and Emerging Trends". Bonn; FiBL, Frick; ITC, Geneva: IFOAM.
Friday, April 24, 2009
Mortimer Adler-Read Between the Lines
Dr. Adler was a proponent of marking books. He agreed that buying the book was the first step toward ownership of the novel, and did not advocate writing in borrowed copies of the book, for that is vandalism. Once the book is paid for it becomes the property of the reader and writing in it is acceptable. This is one of the ways one can spot a true book owner. Dr. Adler described three types of people, the first owns a lot of books all in perfect condition, but this person doesn’t truly own any of them. The second owns a good number of the classical books and some have been read. This person owns as if they were almost a status symbol, but again, he doesn’t truly own them. The third person owns a few books, all old and worn, with writing throughout it, this person does own them. He has read them over and over and has many notes in them and has made the book a close friend.
Writing and making notes in a book isn’t just an act of vandalism, it’s active engagement in the novel. The reader can write down questions that a passage brought up, and this keeps the reader thinking and wide awake, not just letting the words go right through him. Students can have a conversation with the author by marking a book. They can argue and right down any thoughts that come to their mind while reading. When the student begins reading where they left off it’s like picking up the conversation because your ideas have been recorded.
In order for a student to comprehend an assigned novel he can’t merely read it. The student must participate in the novel. The student must write between the lines and along the margin, make notes about what’s going on because the act of writing engraves the meaning of the book in the student’s mind. This is why students must be given personal copies of novels, so that they can make the novel there own. As the noted philosopher Dr. Adler once said, a few close friends are better than a thousand acquaintances.
Machiavelli-Bismark on The Prince
Machiavelli’s ideas make so much sense. Politics is like a game of chess, you can’t win by being noble or honest, you must feign your actions, deceive your opponent and use their moves against them. That is how I was able to beat the Austrians in the Austro-Prussian War. I knew that Prussia had to completely control the Northern part of the German Confederation, and this meant removing the Austrians from German affairs once and for all.
Austria played right into my hands when they brought the Diet in to decide the Scheswig-Holstein issue. I told the Diet that by doing so, the Austrians had violated the Gastein Convention, The Austrians grew so infuriated that they declared war, this made it much easier to ally with the surrounding states such as Oldenburg and Brunswick, but most important to the whole plan was the alliance with Italy. The leaders of the Austrian Empire should have read The Prince, because then they would have known the dangers of controlling a part of Italy that had always been Italian. Italian unification proved to be a most useful tool in defeating the Austrians. Machaivelli would have been proud to see me deceive Napoleon III when I told him he might receive land around the Rhine. Unfortunately for Austria, Russia would not come to their aid. That is due to the fact that I am good friends with Alexander II and supported his repression of the Poles in 1863.
Another important lesson that I gleaned from The Prince was who to choose to surround me. I didn’t choose flatterers, or sloths, I chose men who could do their jobs well. Men like my War Minister Albrecht Graf von Roon and Chief of the General Staff Helmuth Graf von Moltke. Roon had been reforming the army under my direction for years and it was then that the Prussian army was able to match the might of any foe.
“A prince must have no other objective, no other thought, nor take up any profession but that of war.” This is true, and it is what I tried to follow. During the buildup to the war with Austria I had been getting Prussia ready. The army was reorganized under Roon and railways were built, supplies hoarded, and new weaponry made ready.
The war with Austria ended quickly when their troops were split between the Italian front and the northern front. After the historic battle at Sadowa we presented a very generous peace treaty in which the only lands taken away from Austria were Holstein. This was to prevent any further hostilities, lest we should need them later. If Germany had been oppressive and demanded large amounts of land or tribute, then Austria would remain resentful towards us, as told by Machiavelli. This war had accomplished exactly what it was supposed to, get Austria out of German affairs and expand Prussia. The German Confederation was dissolved in favor of the new North German Confederation. The key to this new Confederation was in the constitution that was written with The Prince in mind. Machiavelli’s ideas about how to control conquered lands were right, in the new constitution it allowed for the continuation of the local governments for each state but the King of Prussia would become the President and I the Chancellor. We, as the federal government, controlled the army and the foreign affairs and therefore we had the ultimate power. For as Machiavelli wrote, “the presence of sound military forces indicates the presence of sound laws.”
The Prince has provided me with an invaluable source of knowledge about the true nature of man. Man is generally selfish, but his loyalty for others can be won or lost. He is trustworthy during times of peace and prosperity, but will quickly turn to greed, deceit, and cunning during times of hardship and adversity. Most men admire courage, honor, and generosity in others but rarely show any of it themselves. It is these ideas about human nature that Machiavelli put forth to better educate those who will come to power and have a need for knowing the true soul of a man. I have believed the truths written in The Prince about military actions and the nature of man and they have served me well. It takes a prince, a man in control of the situation, to rule over other men. A prince who will take action and not be delayed by morals or vices, but who will seek a means to an ends. For the great questions of the day will not be decided by speeches and resolutions, but by blood and iron.
Critical Lens Essay
George Orwell’s novel 1984 was written in 1949 when the majority of the west saw communism as a moral experiment and not something altogether bad. Orwell had seen the atrocities that totalitarian governments wrought. The setting of the novel is as mentioned in the title and it is a very bleak future. The London that the main character now lives in is in a state of urban decay, a rundown city in which buildings are crumbling, conveniences such as elevators never work, and necessities such as electricity and plumbing are extremely unreliable. Though Orwell never discusses the theme openly, it is clear that the shoddy disintegration of London, just like the widespread hunger and poverty of its inhabitants, is due to the Party’s mismanagement and incompetence. One of the themes of 1984, inspired by the history of twentieth-century communism, is that totalitarian regimes are viciously effective at enhancing their own power and miserably incompetent at providing for their citizens. The grimy urban decay in London is an important visual reminder of this idea, and offers insight into the Party’s priorities through its contrast to the immense technology the Party develops to spy on its citizens.
Arthur Miller’s play takes place in an entirely different time. The play centers around the Salem witch trials of the 1600’s. the majority of the play surrounds a group of girls who become “bewitched” and go about accusing members of the community who they didn’t like. Miller wrote The Crucible right about the same time as the McCarthy hearings. The widespread paranoia of those hearings is directly paralleled in The Crucible. Communism is never mentioned in the play but if one had any knowledge of Cold War history than the overwhelming image of the McCarthy Red Scare would come to mind.
It is the message that an author is trying to convey that is important, not always the story that it is carried in. The Crucible and 1984 both carried messages about topics important to the authors and the general public. The context that the piece of literature was written in is usually needed to be understood in order for the meaning to have an affect on the reader. What is a story without the author’s whispers behind the words? An unnecessary waste of paper and ink.
Book Review,Upton Sinclair, The Jungle.
The novel starts out with the veselja, (wedding ceremony), of little Ona Lukoszaite and Jurgis (pronounced yoorghis) Rudkus in a bar in an area of Chicago called Packingtown. The two and their relatives had come to America from Lithuania in search of the American Dream, unfortunately Packingtown is a dirty, dangerous place full of predators looking to part them with their money. Jurgis’ answer to this is, “I will work harder.” (Sinclair 19).
The young and strong Jurgis easily finds a job in one of the slaughterhouses pushing all the blood into grates in the floor. Ona’s cousin, Marija also finds work painting cans. Ona’s stepmother, Teta Elzbieta agrees to purchase a small home with everyone chipping in, but the house turns out to be a swindle and soon hidden costs are found and paying for the house takes all the family’s effort. So Jonas, Teta’s brother, also finds work, even Teta’s oldest son Stanislovas who’s 14 and Ona have to find work. The jobs in Packingtown are back-breaking and often hazardous to the worker’s health. Jurgis’ father dies because of the horrible conditions he was forced to work in.
For a little while things seemed to be going alright for the family and it apearered as if they could survive in the unforgiving land, until winter rolled in. Winter is a terrible season for all and it soon becomes clear that social Darwinism is in affect as the weak are weeded out. The rush season was over and factories started to lay off workers. Marija lost her job at the canning factory and Jurgis suffers a reduction in hours at his job and so all the wage earners of the family joined unions. Here Jurgis learned first hand of the corruption that runs the city when he takes part in a vote-buying scheme. He learned about all the graft and greed that infests the factories, how they sell the diseased meat in sausages and all the tidbits go in the cans and get fancy names like “deviled ham”.
Marija regains her job in springtime only to lose it soon after when she vocalizes her discontent with the management. She finds a job as a beef trimmer a month later. Ona soon gave birth to a son who they named Antanas after Jurgis’ father. Unfortunately Ona has to go back to work only a week after giving birth so the baby is fed the bluish milk from the corner store.
In chapter 11 Sinclair describes how the workers are forced to work at an even faster pace and received numerous pay cuts. One day on her way to work Marija sees a large crowd at the bank where she recently deposited her money, learning that it was a rush at the bank she forced her way to the front only to discover she didn’t have her bank statement. So she had to walk home, retrieve it and return to the line. By the time she arrived back at the bank the police had made everyone get in line and Marija had no choice but to join the back. She finally made it to a teller who gave her money in silver dollars. With her confidence restored, she attempted to redeposit it but the bank wouldn’t let anyone who had partaken in the rush do that. Sinclair than makes her plight symbolic by having her sew the coins into her clothes until she can deposit them in another bank, but she is afraid she will sink down in the mud with the money weighing her down.
The family then suffers a horrible tragedy when Jurgis sprains an ankle dodging an injured steer in the slaughterhouse. The bad ankle puts him out of work for months in which time the only thing Jurgis could do was watch his new born son and beat Stanislovas out the door to go to work. Jonas becomes fed up with the misery of home and abandons the family, basically just disappearing. The family sort of suffers another loss when Teta’s youngest son dies from eating a poisoned sausage. It’s only a little tragedy to them because he was handicapped and could never be a producer. Jurgis finally recovers but finds his old job taken so he has to search for a new one. The only job he can find is at the fertilizer factory, the most horrendous smelling place in Packingtown. Jurgis drowns his sorrows with alcohol for a while until Teta convinces him to stop for the sake of Antanas.
Ona again becomes pregnant and one day doesn’t return home all night. Jurgis questions her and finally gets her to admit that her boss Phil Connors raped her and has forced her to become his mistress lest she wants her entire family to be blacklisted. Jurgis becomes infuriated beyond sanity and attacks Phil, he grabs his throat and almost rips it off. It takes half a dozen men to pry Jurgis off Phil. He’s arrested and after an unfair trial is sentenced to a month in prison. While in prison he befriends his cell-mate Jack Duane who helps him later on. Upon Jurgis’ release he finds his family has been evicted form their house after failing to pay the mortgage and they went back to live in the run down boarding house they had first lived in.
When he arrives at the boarding house he finds Ona prematurely in labor. He goes out and finds a midwife for her but there’d not much that could be done and She and the baby both die. After her death Jurgis goes out on a drinking binge.
Again the thought of his son forces him to search for a job, and a wealthy woman soon approaches him and offers him a job in a new steel mill. The mill is located far away from his home so he is forced to stay there and only returns home on Sundays. Life seemed to be looking up for Jurgis and Antanas was beginning to speak, but he returned from work one day only to discover a freak accident had occurred in which Antanas had drowned in the mud.
Jurgis is completely devastated by the death of his son and wanders off to the country side in despair. Here he finds some kind farmers who give him work and sell him food but when winter comes around again he returns to Chicago. When he gets hurt digging a tunnel he’s unable to find replacement work and becomes a beggar. Here he meets Freddie Jones who gives him a 100 dollar bill and a feast at his house. This odd scene is used to show the difference in the two classes of people, the rich and the proletariats. Jurgis then goes out and tries to get change for the bill but gets cheated by a bartender who Jurgis then beats up.
He gets arrested and meets Jack Duane again who hooks him up with the corrupt leaders and criminal jobs. He becomes a scab and a strikebreaker, and one day sees Phil Connors at a strike and proceeds to beat him, unfortunalty Phil was one of Jurgis’ boss’s cronies and so Jurgis had to get out of the town fast and does so by moving to the other side of the city. He decides to reconnect with his family and searches for Marija and Teta and learns that Marija has become a morphine-addicted prostitute to support Teta and the family.
Jurgis goes about looking for another job even though he’s completely fed up with the whole situation, by chance he walks into a socialist rally and hears what he’s been wanting to hear the entire time. He finds comrades here and gets a job as a porter for a hotel. The last to chapters of the book are mainly just socialist propaganda, the characters become flatter and nearly hollow and are just symbols for entire classes of people. The novel ends with a socialist speech that concludes with “Chicago will be ours”.(Sinclair 346).
The historical accuracy of the novel has been greatly debated. It caused such a shock when it was first published that it caused the foreign sale of American meat to be cut in half. Teddy Roosevelt was so upset by the novel that he called in a formal investigation of the stockyards. He sent Charles P. Neill and James B. Reynolds to check the sanitation of the factories. Sinclair was disappointed by the tunnel-sighted investigation because it didn’t address the wage and working conditions of the people that actually worked there. Even though the factory owners had ample time to clean up before the two men arrived, the conditions were described as being “revolting”.
In the novel The Jungle Sinclair tries to make the argument that socialism is the cure for capitalism, that capitalism is an evil, greedy, and unfair system that needs to be abolished. The only way for it to be abolished is if everything supports socialism and the only way for that to happen is if everyone realizes the plight the workers go through. On page 315 Sinclair wrote, “To Jurgis the packers had been equivalent to fate; Ostrinski showed him that they were the Beef Trust. They were a gigantic combination of capital, which had crushed all opposition, and overthrown the laws of the land, and was preying upon the people.” This shows that Jurgis’ mind is changing to adopt socialism and as a result the reader is supposed to realize this too and see socialism as answer to all problems.
The bias of Sinclair can be seen on almost every page when he describes the factories or living conditions of the workers. He uses nauseating descriptions to evoke sympathy from the reader like on page134 and 135 where he describes the meat that made into sausages. Just line after line of disgusting information like, “…but a man could run his hand over these piles of meat and sweep off handfuls of dried dung of rats.”
Upton Sinclair was a socialist journalist, not a novelist, and his writing can for the most part confirm this. He rights with a very clear diction and doesn’t use to much sophisticated language, mainly because he was trying to appeal to a very large crowd. The simple language can be seen on any page really but one example is found on page 212, “Finally he got up and walked on again. It was about sunset, and he went on and on until it was dark,…”.
Sinclair’s sources for this novel were his own observations when he visited Chicago and the stockyards and a Lithuanian family he met there. He conducted many interviews with workers and got his beginning from visited a veselja on his first day in the city. There is a bibliography in the Bantam Classic version. It has a list of works by Upton Sinclair, other fiction by him, nonfiction and it says he wrote two autobiographies. There was a lack of multimedia in the book, but it wasn’t needed
It’s interesting to judge the success of this novel. He first tried to publish it five times before he finally did it himself and then it became an instant must-read. The novel struck a chord in everyone who read it but it may not have been the one Sinclair was going for. His intention for the novel was to cause a social reform in America and have everyone sympathize with the poor workers, then they would over-power the rich leaders and create a socialist utopian society. Proof for this can be found in the last few pages during the speeches, especially with the last line, “ CHICAGO WILL BE OURS!” So was Sinclair successful, no, not in his mind, but in the eyes of the nation and world and the changes it brought about like the Pure Food and Drug Act of 1906 and the Meat Inspection Act which significantly rose the standard of food in the U.S.
Upton Sinclair set out to write the Uncle Tom’s Cabin of the Labor Movement by writing a novel that anyone could read which exposed capitalism as the evil cause of all hardships. He proposed that capitalism can and will destroy all that is held dear to the American people like family values, honesty, integrity, and kindness. He set out to disprove all aspects of capitalism like social Darwinism and laissai-faire economics. What the novel did accomplish though was bring about reforms that saved countless lives and led to a better standard of living for all. Upton Sinclair has left a big footprint in the field of muckraking and The Jungle goes down in history as one of the most important pieces of socialist propaganda the United States has ever embraced.
